After another long silence for no good reason--mostly the feeling that nothing in my life is important enough to post about--I at last have Significant News.
To wit, I have COVID. For the first time, as far as I know.
So far it's been very mild, just tiredness, an annoying dry cough, mild intermittent sore throat, mild temperature elevation that technically doesn't quality as a fever (although it
should, because my normal temperature is only about 97.5 F and I've been running about 2 degrees higher), and some tightness in the chest. I'm keeping an eye on it, of course. I have a pulse oximeter that I bought back in 2020/2021; I'll dig that out and check occasionally.
Interestingly, my symptoms started on Wednesday morning, but I got negative COVID tests on Wednesday and Thursday, and my first positive test was today. It was very, very positive though: a big bold line appeared within about 8 minutes of applying the sample.
So I'm off work until next Thursday, probably; if I continue to feel decent-ish it might be almost enjoyable.
I am, however, pissed off that after over 4 years of avoiding crowds and masking (almost) all the time indoors in public, a moment of truly pathetic weakness led to COVID.
I can't be sure, of course, but my best guess is this: Tuesday of last week, after a doctor's appointment, I wanted to go to Starbucks. I don't regularly go to Starbucks, but I had the craving. And it was a hot day, and this Starbucks had no outdoor seating that was in the shade. So I sat inside, and didn't put my mask back on between drinks because I felt silly. I was there for maybe 45 minutes tops, and wasn't sitting close to anyone. But that seems to have been enough to get whammied.
Apparently there's a new variant again and a new surge? I am an object lesson in why we should keep masking, or mask up again.
So, I'll have some time on my hands for the next week. Can anyone recommend me things? I'm more likely to get to books and podcasts than anything visual, but all recs are welcome. Preferably fairly lighthearted, preferably queer.
Here are some things I've been enjoying lately:
1) The novels of A. J. Demas. These are mostly male/male romance, set in a world based on ancient Greece, Rome, and Persia. They're fun, and there's plot beyond the romance. Some of them are a bit Tumblr-y for my taste, and unfortunately the last novel, The House of the Red Balconies, which was on track to be my favorite, ends very suddenly about 100 pages too soon. However I can recommend Honey and Pepper, and One Night in Boukos (which has two romances, one m/m and one m/f).
The author's notes link you to her other novels, written under the name (possibly her wallet name?) Alice Degan. I read one of them, From all False Doctrine. It was well-written and I enjoyed it in many ways, but it was very, very, very, very Christian. I think the Degan novels were written before the Demas books, and you can definitely see traces of a Christian worldview (specifically Christian sexual ethics) in the early Demas books. There's a lot less of it in the most recent ones.
2) The Old Bridge Inn series, by Annick Trent. Historical queer romance set in 1790s England. There are 4 books: 2 m/m novels, 1 f/f novel, and 1 f/f novella (more a short story imo). They can be read in any order, so I'd recommend trying the best two, The Oak and the Ash (m/m) and Sixpenny Octavo (f/f). These books are
deeply, impressively embedded in history, and the central characters are all workers and artisans rather than rich people. The connecting thread is a "reading club" run out of the titular Old Bridge Inn, which meets for reading aloud and to which people can subscribe for a small fee and borrow books. But in the anti-revolutionary panic of 1790s England, the club is only dubiously legal even when it stays out of politics. And not everyone in it is staying out of politics.
3) Various by T. Kingfisher. I thought all of her Kingfisher books were adult books, and that the children's stuff was all published as Ursula Vernon. Turns out that's not true, but I enjoyed both of the kids' books I accidentally bought (Illuminations and Minor Mage). And I really liked Thorn Hedge, which is an adult book (a retelling of Sleeping Beauty) although sadly quite short.
4) World Gone Wrong, by Audacious Machine Creative. This is an audio drama in the form of a chat podcast that discusses the various happenings of what seems to be the ongoing end of the world. More light-hearted than it sounds, with hints that the characters are as deeply traumatized as you'd expect but are trying not to think about it. This is of course riffing off of the Covid pandemic in various ways, so a lot of the jokes are in the "it's funny because it's painfully true" category. But there's also pure silliness: the first episode tackles the question of what to do if your Pekingese dog becomes a werewolf. I've only listened to the first couple of episodes but I like it a lot so far.
5) G.O.B.L.I.N.S, a very new scripted audio drama by most of the people who made Stellar Firma at Rusty Quill. (This is not associated with Rusty Quill, just to be clear.) Features Tim Meredith, Ben Meredith, Imogen Harris, Jenny Haufek, and Amy Dickinson.
The premise is that a woman who works in planning for local government accidentally stumbles through the Veil and into a world of goblins, elves, fairies, the fae, and other such beings. Specifically, she finds herself in their equivalent of a local government planning office. Since she's stuck there until the next time the Veil thins, they offer her a job.
The show is crowdfunding right now, so there's only the pilot episode. But the pilot is very good indeed: funny, engaging, with a whole lot of worldbuilding and characterization threaded, apparently effortlessly, throughout. The pilot only seems to be available on acast, although the show itself will eventually be obtainable from all the usual suspects. You can
listen here.
And if you like it, and can spare some money towards helping its staff get paid, the crowdfunder is
here.
6) Speaking of Rusty Quill, I keep bouncing off of
The Magnus Protocol. Not for any fault of writing or acting, but because the sound design makes portions of it incomprehensible to me. Any scenes set in the staff breakroom or outdoors have background noise, echoes, lower dialogue volume, etc. etc. and while I can see that it's realistic and atmospheric, it's hard for me to understand even listening in my relatively quiet apartment. In my more usual podcast-listening environment (walking through town, or on the bus) I can barely catch one word in four. And I guess transcripts exist but I don't want to have to look at transcripts; I want the sound design to be listener-friendly.
And, well, nothing so far (I've listened to eight episodes) has made me think the show's doing anything genuinely new with the Magnus Archives world. (If I'm wrong, let me know, okay? No need for spoilers, just tell me if you think I should keep trying with it.)
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